Queen of Sweden, child of Gustavus Adolphhus II of Sweden, born at Stockholm, 8 December, 1626; d. at Rome, 19 April, 1689. Her father (d. 1632) was the famous soldier whose interposition in the Thirty Years’ Was wrought so much harm to Catholicism. Maria Eleonora of Brandenburg, her mother, had hoped for a son, and was so disappointed at the birth of a daughter that she had little love for the child, who was left to the care of nurses. Gustavus Adolphus, however, was tenderly attached to his daughter; in 1630, when he sailed for Germany, he recommended Christina to the loyalty of his people and put his sister Catherine, who held her court at Stegeborg, in charge of the child’s education. Three years later, Maria Eleonora brought back the body of her husband, Gustavus Adolphus, to Sweden. For a while after this her love seemed to be transferred to the child, but this affectionate relation did not last long. In obedience to the command of her father, Christina was brought up like a boy, and received instruction in the various branches of learning from distinguished men, among whom was the learned Dr. Matthiæ, Bishop of Strengès. The princess was an indefatigable student, and a great reader of good books. Feminine occupations and amusements had no attraction for her, and she was indifferent to dress and finery of all kinds. The mother wished rather to see he daughter lead a life of pleasure, and encouraged her in the enjoyment of wine and other stimulating drinks, so that the country was alarmed for the morals of the heir to the throne, and Christina was sent again to her aunt. When the aunt died she was put under the care of the sister of the celebrated chancellor Axel Oxenstiern. In her new surroundings the great talents of Christina rapidly developed. She soon mastered several languages, gained a comprehensive knowledge of history and politics, and showed in particular a strong liking for theologico-political speculations. At the same time the masculine qualities of her character grew steadily more evident. Her favorite amusement was bear-hunting, and she could outride most men. At 18 (8 December, 1644) she was of age and entered on the duties of government with a strong hand. It was not, however, until two years later she was crowned, the ceremony taking place with great pomp at Stockholm.
It was from Innsbruck that the European Courts were officially informed of her change of faith. On 23 December, she reached the capital of Christendom, which was decorated in her honour. The pope came personally to meet her, administered the sacrament of Confirmation, and added Alexandra to her name. At Rome, Christina’s home was in the Palazzo Farnese; during her residence here she sought to satisfy her intellectual ambitions as well as the longings of her devout and loving heart. She visited the sacred places to pray, went as a ministering angel into the hovels of the poor, and devoted herself to the study of the collections of art and the libraries. She drew into the circle of her fascinations the leading families of the Eternal City, arranged concerts and plays, and knew how to delight everyone by her acuteness and learning. She was not willing, however, to drop rough Swedish customs, and allowed herself to display various peculiarities of dress and manner, so that many people avoided her. In 1656 and 1657, Christina went to France, the first time with a retinue, the second time incognito. On the latter trip her conduct excited much displeasure as, among other eccentricities she dressed as a man. Much more severe censure was aroused by the trial, without proper legal forms, of an old servant, Monaldeschi, and his subsequent execution, although as sovereign she had the right to pronounce sentence of death, or at least believed herself entitled to this authority. Returned to Rome she gradually fell under the displeasure of the pope, for like a true daughter of Gustavus Adolphus she at times defied foreign laws and customs in too arrogant a fashion. Christina suffered much annoyance from the failure to receive with regularity from Sweden the income to which she was entitled; sometimes no money came at all. Moreover a woman so active intellectually had not taste or time for keeping accounts. Dishonesty in the management of her money affairs naturally followed, and the disorder in her finances were not overcome until the Curia through Cardinal Azzolini provided her with a competent bookkeeper.
After the death of Charles Gustavus (1660) she returned to Sweden to have her rights again legally confirmed. A second visit home (1667) was not of long duration as, in the pettiest manner, difficulties were thrown in the way of her exercise of her religion. After this for a time she lived in Hamburg, but she made her continued stay in that city, then very rigidly Lutheran, impossible by organizing festivities in honour of the newly-elected pope, which ended in tumult and bloodshed. In 1668 she returned to Rome and never again left the Eternal City. Her new home was the Palazzo Riario, and she filled her residence with great collections of books and objects of art. Her palace became a centre both for the learned world and for artists and sculptors; to the latter, Christina gave both aid and generously paid commissions. Her forethought and care were not limited to her acquaintances and members of her household, the poor of Rome also found in her a charitable mother. As she grew older she fulfilled her religious duties with increasing intelligence and zeal, and the approach of her death had no longer any terrors for her. Piously and bravely she prepared herself for the end; after arranging her worldly affairs she received the sacraments with humble devotion and died a true child of the Catholic Church. Against her express wishes the pope had her body embalmed and brought to St. Peter’s where it was buried under the high altar. Her ostentatious but not prepossessing monument is the work of Carlo Fontana. Christina made Cardinal Azzolini her principal heir, while the papal See and various Catholic sovereigns also received legacies. Unfortunately, after the death of Azzolini much of her valuable art collection passed into the hands of strangers; the greater part of her very rich library, however, is in the Vatican. Pictures and plastic art of various kinds have preserved the knowledge of Christina’s features. Although not beautiful, in her youth her appearance must have been interesting. In later years she grew too stout to retain any trace of good looks. Only the flashing, piercing eyes give any evidence of the fiery spirit which the exterior concealed. The character the northern sovereign remained very much the same through life. Receptive for everything good and great, she unfalteringly pursued her quest after knowledge of the truth and after many wanderings found it in the bosom of the Catholic Church. She had a tender, sympathetic heart, yet was subject at times to fits of temper, even cruelty. She was no saint, but was probably better than the members of her former confession pictured her. Any objective portrait of her will always bear out the judgment of Axel Oxenstiern, “After all she was the daughter of the Great Adolphus”, both in her faults and in her virtues.
Veibull and Höjèr, ed., Svberiges historia fr’n öldesta tider till v’ra dagar (1611-1718), IV; Friis, Dronning Christina af Sverrig, 1626-1689 (Copenhagen, 1896), a work of Protestant tendencies; Bildt, Drottning Krsitinas sich ta dagar (1897), vol. V of the “Scriften”; Woodhead, Memoir of Christina, Queen of Sweden (London, 1863), II; Bain, Christina, Queen of Sweden (London, 1890); Dentoche-Grauert, Königin Christine von Schweden und ihr Hof (Bonn, 1838-42, 2 vols.); Busson, Christine von Schweden in Tyrol (Inssbruck, 1884); Fay, Königin Christine von Schweden, tochter Gustaf Adolfs (Barmen, 1889); Daniels, Christine von Schweden in Preuss. Jahrbucher (Berlin, 1899), XCVI-XCVII; Arhrenholz, Mémoirs concernant Christine, Reine de Suède (Paris, 1825); Barine, Christine de Suède, in the Revue des deux mondes (October, 1888); Treatises in Italian by Compori, Malagola, Picenardi, Gratanelli, written in the years 1871, 1881, 1889, and 1896, on Christina’s connection with the House of Este, her stay at Bologna, Pisa, and Roma, especially Clarella, La regina Christina di Suecia in Italia, 1655-1689 (1892).
APA citation. Wittmann, P. (1908). Christina Alexandra. In The Catholic Encyclopedia. New York: Robert Appleton Company.
MLA citation. Wittmann, Pius. “Christina Alexandra.” The Catholic Encyclopedia. Vol. 3. New York: Robert Appleton Company, 1908.
Ecclesiastical approbation. Nihil Obstat. November 1, 1908. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York.